Son House “Walking Blues”
The Son House “Walking Blues” has the melody musical instrument (Miller, Berlo, Wolf, & Roberts, 2018). This is because it is easy to sing the song. The melody instrument in “Walking’ Blues” created a lot of enthusiasm among the white group of Jazz music collectors and critics. Walking Blues” possess an increased momentum that is not illustrated in House’s original. “Walking Blues” Son House is talking about being blue due to his lover not wanting him. Son House, “Walking’ Blues” has mournful lyrics. “Walking’ Blues” seems only to use a guitar that makes it sound very acoustic. “Walking’ Blues” has repeated the first line, and the remaining verses have the “waking up in the morning” theme. “Blue moon of Kentucky” is a blue flavored tune with 4/4 time (Strickland, 20). The historical context illustrated in the songs is also different (Söderqvist, 2016).”Walking’ Blues” illustrates the lessons that Johnson received from Son House. It utilizes the first title and verse from House’s famous poems.
Elvis Presley “Blue Moon of Kentucky”
Melody instrument in “Blue Moon of Kentucky” favored its use as Kentucky’s official bluegrass song (Miller, Berlo, Wolf, & Roberts, 2018). The harmony instruments of the music ensure it sounds unique. “Blue Moon of Kentucky” illustrates enhancement of slow waltz (3/4 time) to the blues-flavored tune (4/4 time). Elvis Presley uses the tempo of the song and the modern techniques to set his version apart. “Blue Moon of Kentucky” Elvis Presley is asking the Blue Moon to shine some light on his situation of a lover cheating on him and leaving him abandoned. Elvis Presley, “Blue Moon of Kentucky” lyrics are happier. “Blue Moon of Kentucky” uses the guitar as well as other instruments and you can hear the fiddling in the background that makes the song sound more energetic (Söderqvist, 2016). “Blue Moon of Kentucky” was consistently rated higher in billboards, because it was the Presley’s pop version of Monroe’s song.
The Symphony No.1 in D Major, Printemps, Suite Symphonique, and Iron Foundry from the “Steel”
Printemps, Symphonique involved two movements that are Modern and Modern. Tres Modere starts with a quiet solo of flute that proceeds with an orchestra of tutti (Miller, Berlo, Wolf, & Roberts, 2018). The symphony suggests various states of emotion that are very cool. Iron Foundry played by the “Steel” sounds energetic with its application of speed of the music and repeated motifs. The Symphony No.1 in the D Major is terrific and beautiful. The music moves from solemn and slow to joyful and dynamic. Listening to the difference in various tones is very enjoyable. The conductor of the symphony is cold, but throughout the music concert, the symphony conductor is energetic. The applications of video presentations as transitions to the presenters’ original renditions are also reliable (Söderqvist, 2016). It never appeared to me that the performances of the video are merely supplements of filling the spaces in-between the actual music concerts since they are already presentations that offered something relevant.
The song “Puff the Magic Dragon.”
The song “Puff the Magic Dragon,” about a magical dragon adventures sounds very innocent (Miller, Berlo, Wolf, & Roberts, 2018). Most people regard the song as a metaphor for drug abuse just like many other songs composed in the 1960s. Regarding the famous folk song “Puff the Magic Dragon” composed by Mary, Peter, and Paul, the song is a specially animated television classic talking about Burgess Meredith or Puff. Puff is a talking dragon which pays a visit to a young boy who never speaks known as Jackie Draper. The song is one the most beloved folks’ songs that Lipton co-wrote in the 1960s. However, co-writing the most beloved folk song “Puff the Magic Dragon” is not the only claim to his fame as he was also an accomplished inventor, writer, and filmmaker (Söderqvist, 2016). The song “Puff the Magic Dragon” is still tearful in parts and timelessly sweet even after more than fifty years of its composition.
The Ebony and Ivory by Paul McCartney featuring Stevie Wonder
A duo between Steve Wonder and Paul McCartney using piano keys as a metaphor, the song “The Ebony and Ivory” is a piece of music about racial harmony (Miller, Berlo, Wolf, & Roberts, 2018). The white keys on a piano are ivory, and the black keys are ebony. The song question why we all cannot live together in ideal harmony like the black and white keys. The four-movement symphony beyond such colorful anecdote followed structures which considered was still considered at the time as a novel. Generally, it starts with quick movements which provide various contrasting sounds. Even though with surprise moment, the second movements proceed at gentler paces. The third movement is a dance-flavored, mainly looking like the then minute, the waltz predecessor. The liveliest of all is the last movement. With scurrying ideas and brisk that bring the pieces to on an energetic end, the previous change is very lively (Söderqvist, 2016). The Symphony movements are as follows: Adagio, leading to (2) Allegro, Andante, Menuetto, and Allegro spiritoso.
Miller, A. L., Berlo, J. C., Wolf, B. J., & Roberts, J. L. (2018). American Encounters: Art, History, and Cultural Identity.
Söderqvist, T. (2016). The history and poetics of scientific biography. Routledge.
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