Time-shaped media has dramatically improved the development of visual arts since the early 1960s. The first artworks reported integrated architecture, computer programming, film, photography, and painting film among others. As such, digital networkshave significantly shaped contemporary information technology. The other elementssuch as photography canon, on the other hand, have enhanced the global art market besides being an academic subject in the present-day world. Historically, professionals, artisans, historians, and curators are recognized for promoting photographyculture. These elements are grounded on the defining feature of photography that identifies it as a mechanical product of artistic vision. However, these aspects have many limitations that adversely affect the role of photography in shaping artistic impressions among notable figures. The most notable weakness is the fact that photography is part of essential media within the canon. Therefore, many people perceive it as a technology of reproduction (Sluis, Julian & Christiane, p. 34).
Social media platforms have sophisticated photography applications, and, thus, shapes the artists’ visual elements.Cornell alludes social media platforms likeInstagram“to have influenced the concept of self-portraiture in contemporary societies.” (p.2).That said, the present-day artists use such applications to communicate their calculated moves. Such influential personnel in most instances unveil their social self-representation using visual photography onsocial media platforms. However, early media theorists like Christine Paul, a renowned art historian,noted that sophisticated technologies have influenced what constitutes a canon. The medium seems to be diffused to different areas of technological applications such as computing. A typical example of the art world that has direct interaction with photography in contemporary societies is the museum. That said, graphics culture has remained an essential element in such environments. A significant proportion of people in the early societies had a notion that taking photographs was peculiar to their way of life. The situation, however, has dramatically changed considering that the photography culture is polarized with the present-day social life. The social media is one factor that has shaped visual arts and photography as people strive to enhance self-representation.
Technologically mandated societies, however, have raised questions on the role of humans in this era. The application of sophisticated Internet has modified human activities, and, thus, shaping the outlook of their outcomes (Sutton, 58). Some of the technological applications that have attracted global attention are biotechnologies, automation, and robotics among others. In this case, artists have shown a growing interest in ‘hybrid bodies’ as they strive to gain insights on what it constitutes their subjects. The move is triggered by the increasingly complex nature of sciences,international relations, and politics. According to De-Blois (242), early artworks by renowned scholars like Josh Kline explored the role of automation on demand and competitiveness of human labor. Also, artworks investigated how automation has impacted on human bodies. It is,therefore, apparent that early artworks are an accurate reflection of contemporary issues that underpin technologies.
Cornell, Lauren. “Self-Portraiture in the First-Person Age.” Aperture, December (2015).
De-Blois, Jeffrey. Hybrid Question: “The age-old Question, “What does it mean to be human?”.” n.d: 242-43.
Sluis, Katrina, Julian Stallabrass, and Christiane Paul. “The Canon after the
Internet.” Aperture 213 (2013): 36-41
Sutton, Gloria. CTRLALT DEL: The Problematic of Post Internet Art,” Art in the Age of the
Internet edited By Eva Respini (New Haven, CT: ICA Boston and Yale University Press,
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