1. True
2. Barrel-vaults exerted great outward thrust making a clerestory difficult to construct
3. Bishop Odo
5. It depicted an actual historical event in full detail shortly after it occurred.
6. Stained glass windows served only a practical purpose of illuminating the interior
7. Ste-Chapelle
8. Frescos cover the wall spaces
9. The continuous barrel-vaulted naves
11. True
13. San Vitale
14. Salisbury
15. Crucifixion, Church of the Dormition, Daphni
16. The copying of important Classical texts
17. Junius Bassus
18. The Coronation Gospels used only color and modulation of light and shape, not line, to create shapes
19. The relics of St. Mark**
20. Rebuilding efforts made to construct ample space for the many pilgrims visitings these churches caused widespread resentment of the pilgrims
21. The fall and the Crucifixion
22. Flying buttresses
23. This was a period when icons were made and venerated throughout the Empire
24. Encaustic
25. Churches served a largely illiterate audience and needed visual Christian symbols and stories
26. The figures are actors in a biblical narrative
27. Pantheon
29. Jonah represented for the Early Christians the prefiguration of Christ
30. Its interior is permeated with light
31. It is full of Greco-roman illusionistic devices
33. He formally prohibited the use of images
34. Wedding the abstraction of Early Medieval adornment and Early Christian pictorial imagery
36. Squinches
39. Most early Christian art dates from the third and fourth centuries and was found in catacombs, Christian burial sites
40. Tomb of the Apostle James at Santiago de Compostela
41. True
42. The frieze entitled Creation and Fall of Adam and eve of the West Façade of the Modena
43. True
44. Book of Kells
45. Hagia Sophia
46. Dura Europos
47. Sutton Hoo; Saga of Beowulf
48. A centrally planned building
50. Balance between church and state

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