Donald Judd was born in 1928 in Missouri. He was in “the United States Army and later attended William and Mary College, Columbia University and the Art Students League in New York” (Raskin 684). Judd was regarded as a leader when it came to Minimalist art. During his time, he had helped to elicit the appreciation for uncluttered spaces and clean lines that tend to work well in interior design.

Minimalism is an art design where the fundamental features of artwork are emphasized. The art involved is usually simple and aspires to utilize essential elements to the maximum (Dezeuze 58). The main focus is usually objectivity and simplicity.

Despite Judd being regarded among the important artists of the 1960s, he faced varied criticisms due to his work. Most of the criticisms come in light of the simplicity that he expresses with the artworks developed. The type of style to some people comes out as being less engaging or boring due to lack of immediate visual stimuli.

Passing Donald Judd over is misinformed. There are elements that make him special to the arts fraternity. It is not easy to imagine contemporary life visually without the use of minimalism. This is to say that Judd has had a significant impact on design and architecture. The aspect will make him to be remembered for some time, and his artwork will be embraced even for many years to come. Most people that criticize Judd’s work also say that it is uninteresting and repetitive. Making such conclusions might be misinformed. Paying close attention to Judd’s works showcases modest nuances in space, color and material (Dezeuze 58). These form major aspects of visual art.

Judd was also original in his work. To begin with, Judd helped in changing the course of sculpture dramatically. In the 1960s, he helped in bringing minimalism to the attention of the people in New York. This was achieved through varied solo exhibitions that were used to demonstrate his work. Use of simplified geometric styles had been experienced in the early 20th century, but there is no artist that had developed the type of reduced sculpture forms like Judd (Raskin 687). “His work rejected hierarchical composition and worked well in combining architecture, painting and sculpture” (Raskin 688).

Another element of originality is how Judd helped in pushing art lovers beyond the abstract expressionism legacy that was dominant during the period.  Judd’s work has the potential of being regarded as “art” even after hundred years. This is because minimalism tends to be subjective since it entails what people experience when they are faced with objects that fill the space in their vicinity. This is an aspect that is likely to remain even after many years.

An example of Judd’s Work

Untitled, 1969, copper; ten units

Works Cited

Dezeuze, Anna. “Tactile Dematerialization, Sensory Politics: Helio Oiticica’s Parangoles”. Art Journal, vol 63, no. 2, 2004, p. 58. JSTOR.

Raskin, David. “Specific Opposition: Judd’s Art And Politics”. Art History, vol 24, no. 5, 2001, pp. 682-706. Wiley-Blackwell.

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