Typically, Mel Bochner uses a regular drawn line to communicate a perception of control in his art called Vertigo 1982. Additionally, he contradicts the same piece by using hectic diagonals. I believe that these artistic representations and styles are imperative in ensuring that there is a definite plan in any artist representation. In addition to that, Mel Bochner used Pastel on Canvas, Conte Crayon and charcoal to create clean lines to shade his paintings and create broad tonal regions. This is essential in building highlights in an art-making it attractive and visible.

Mel Bochner ruled lines were created using a straightedge which mentions a lot of mechanical planning in art. This type of plan ensures that there are rhythm and symmetry in any piece of art. These ruled lines also make it easy for an audience to clearly distinguish different features of the Vertigo 1982 (Baum et al.,). However, the hectic cross patterns within the Vertigo 1982 creates a conflicting emotion and perception of disarray. This is just like a machine that is out of control, leaving an audience in suspense wondering what the intentions of the artist were.

The lines used in Vertigo 1982 also demarcate boundaries within the painting making the piece distinct and colorful. The bright lines also imply a sense of direction in the art which ensures that a distinct motif is created. Mel Bochner also ruled his lines to create a sense of surface in the Vertigo 1982, and This makes it easy for an audience to see different patterns and angles of the painting. The piece has made me understand different stylistic tools that most artists use to create a masterpiece. In this case, Mel Bochner uses regular lines which easily show movement within the painting.

Work Cited

Baum, Kelly, Lucy Bradnock, and Tina Rivers Ryan. Delirious: Art at the Limits of Reason 1950–1980. Metropolitan Museum of Art, 2017.

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