Background

• I arrived in Spain on Monday, March, 27^th at 0630 hours and headed straight to Bilbao, Spain to attend the artifact exhibition in the Guggenheim Museum. The presentation commenced at 0800 hours on Wednesday, March at 2200 hours. The museum held remarkable commencement ceremonies which conferred dramatic gestures to all the guests in attendance. Several guests in attendance came from various countries to experience and see one of the most impressive collections of artifacts of Guggenheim museum.
• The exhibition comprised 100 exhibitors who took regaled the audience with a remarkable display of artifacts while aiming to enlighten all in attendance with considerable information on the same. In attendance, my mainstay roles comprised a wide array of critical questions precluding, but not limited to; finding out the expanse of the museum, the diversity of the artifacts contained in the museum, as well as the historical significance of the museum’s collection.
• On Tuesday at 0900 hours, I resorted to approaching one curator who would suitably address my research questions to the latter. The curator conferred with the critical history of the museum. Surprisingly, the construction of the museum in its current location sparked a controversial misunderstanding with the native Basques people who are the natives of the museum located in Spain.

Observation

• Guggenheim provides a critical platform whose major tenets have suitably intertwined three essential elements namely innovation, architecture, as well as art collections.
• The museum boasts a wide array of artifacts collections. Right from its construction façade to the architecture design of its interior, the museum displays several instances of perfection.
• The museum’s architecture as laid out by the grand master Frank Gehry lends credence to the appealing and thus mesmerizing nature of de-constructivism architecture which replaces corners and lines with curves and arcs.
• Each year the museum’s exhibition attracts myriads of art lovers who come to satiate their art thirst from the marvelous collection displayed by the museum. Every past presentation has entailed more than a million visitors owing to the museum’s sightseeing repertoire.
• The museum’s grand donor Solomon Guggenheim set up a foundation that operates within the confines of strategic tenets as it seeks to revamp the educational lives of art lovers. The foundation was majorly set up to uphold the purposes of corporate social responsibility.
• The museum’s exhibition is carried out by a variety of professional individuals who possess important skillsets in the world of art.
• The curators of the museum come from a collection of renowned scholars who harbor a remarkable amount of knowledge in the field of arts and architecture. Accordingly, these group of professionals appreciates the critical role played by painting in the society and as such has participated in creating essential works of art based on publications increasingly rely on strategic findings from considerable research. They preclude, but are not limited to; Megan Fontanella, Jennifer Blessing, Hou Haru, Ashley Mendelson, as well as Joan Young to name but a few.
• Museum’s collection portfolio as ascertained from critical perspectives majorly comprises art sculptures whose collection dates back to the museum’s earlier periods of the art collection. The art repository and conservators collect a wide array of remarkable arts for the benefit of the public. Its collection portfolio has expanded over time to include some of the most nouveau illustrations that display modernism on several fronts.
• The museum’s executive has and still strives to improve user experience through the incorporation of suitable strategies whose mainstay role it is to avail a wide array of art to benefit its vast clientele from across the world. Interestingly, with the entire burden that comes with managing such an extensive collection of art, this executive cabinet applies strategic, operational fluidity reinforced with their massive skill repertoire to oversee day to day running of the museum.
• The museum similarly deploys excellent educational experiences mostly carried out by its savvy educators who seek to uphold the core tenets of the museum by majorly imparting critical knowledge to its visitors. Besides meeting out essential knowledge pertinent to art elements, the museum similarly has a definite program that seeks to engage their staff through a thorough clinic of an internship with a view to improving their professional knowledge regarding the importance of art in the society.

Conclusion

• Guggenheim museum boasts a diverse collection of arts and architecture that appreciates the role of art in society. Using its conservators, educational professional, as well as curators the museum has carried out a wide array of successful exhibitions for purposes of creating awareness of art on several fronts. The museum’s art repository and conservators collect a wide variety of striking techniques for the benefit of the public. Its collection portfolio has expanded over time to include some of the most nouveau arts that display modernism on several fronts.
• The museum’s grand donor Solomon Guggenheim set up a foundation that operates within the confines of strategic tenets as it seeks to revamp the educational lives of art lovers. The foundation was majorly set up to uphold the purposes of corporate social responsibility.